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This newsletter itself has been dormant since I gave up covering jazz regularly for the Boston Globe in fall 2006. It made more sense having it when I was sending out stories every week. Maybe one of these days I'll start it up again. My apologies to anyone who has been wondering what had become of it in the meantime. — Bill Beuttler
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May 6, 2006 This week's column was a news story: the Berklee College of Music is taking over production of the annual BeanTown Jazz Festival, which should mean that the trend toward booking actual jazz for the festival — as opposed to smooth and Latin jazz — should continue. Already this yesr's festival will be bringing McCoy Tyner, Kenny Garrett, Christian McBride to Boston for the three-day festival at the end of September.
The Calendar pick was Dominique Eade, whose set last night was again a winner. Her three sideman — Bill Pierce, Jed Wilson, and John Lockwood — all played brilliantly. Dominique's singing was superb, and she introduced a bunch of new material. And it was a good, long set — my wife and I had to skip the encoore and rush back to the baby sitter.
Cheers.
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Berklee to take reins of BeanTown Jazz Festival
By Bill Beuttler, Globe Correspondent | May 5, 2006
The six-year-old BeanTown Jazz Festival will get a welcome boost with the official announcement today that the Berklee College of Music is taking over production duties from founder Darryl Settles, with Settles staying on as "corporate ambassador" to the city, past and potential business sponsors, and assorted community groups.
Last year's festival drew more than 40,000 to the South End for the all-day outdoor event in late September, which added more mainstream jazz to the mix of smooth and Latin jazz that had dominated previous BeanTown festivals. That trend should continue under Larry Simpson, Berklee's senior vice president for academic affairs, who joined Berklee's faculty last fall after having overseen production of the respected Tri-C Jazz Festival-Cleveland while president of Cuyahoga Community College's metropolitan campus. Simpson's Tri-C associate Willard Jenkins will serve as the BeanTown festival's artistic director. One of the highlights of the festival will be a performance by the great McCoy Tyner.
"One won't be able to argue with the artistic quality," says Simpson of this year's festival, which runs Sept. 29-Oct. 1. "But I think we have something that will appeal to a broad range of people. I mean, we have some great talent coming to BeanTown at the end of September. We kick it off with McCoy Tyner and 'The Story of Impulse! Records,' featuring [trumpeter] Nicholas Payton and Steve Turre, whom I really love on trombone, and [saxophonist] Donald Harrison, who's a Berklee alum. So I think that's going to have a good deal of fire."
The Tyner set, honoring the seminal Impulse! jazz record label, is scheduled for the Berklee Performance Center on Sept. 29, opening the festival. The main portion of the festival takes place Saturday, Sept. 30, near the corner of Massachusetts and Columbus avenues, with three stages offering continuous music from noon until 7 p.m. Headlining the main stage, sponsored by Sovereign Bank, will be the quartets of saxophonist Kenny Garrett and vocalist Carmen Lundy, followed by the Christian McBride Situation, featuring saxophonist Oliver Lake, keyboardist Patrice Rushen, and turntablist DJ Logic.
New this year will be the Marsalis Music Stage, which will feature three artists from the Cambridge-based record label Marsalis Music: veteran drummers Jimmy Cobb and Michael Carvin, whose CDs launched the label's honors series earlier this year, and vocalist-guitarist Doug Wamble. A Global Stage will feature Benin-born guitarist Lionel Loueke, who passed through town earlier this year in the band of Terence Blanchard and is on the cover of the May issue of Jazziz magazine; Cuban pianist Omar Sosa; and the jazz/ hip-hop fusion of the Unwrapped All-Stars.
"I think the surprise will be Omar Sosa," says Simpson. "He is quite inventive. I really like his music an awful lot."
Local musicians will get time onstage Saturday as well, according to Simpson.
As in past years, a family area, sponsored by Target, will feature amusements, clowns, face painting, and a host of other activities to keep children entertained throughout the day Saturday. The Saturday events will be free, though volunteers will be on hand to solicit contributions.
A feature being introduced this year is a Sunday gospel brunch at the Colonnade Hotel, where the gospel-edged big band Kendrick Oliver's New Life Orchestra will perform, joined by vocalist Kevin Mahogany. (Ticket prices for Friday's festival opener and the Sunday brunch have not been determined, but will be announced on the festival website: www.beantownjazz.org .)
Settles, who runs the Columbus Avenue restaurant Bob's Southern Bistro, says he's delighted to be turning over the BeanTown production reins to Berklee.
"I've done it for five years," says Settles, "and each year it has just grown and grown and grown. And it has just gotten so large and so demanding that it just can't continue to grow with a small operating team. I knew that Berklee is right here in our own backyard, and they're known around the world. Who better to run a jazz festival in Boston?"
© Copyright 2006 The New York Times Company
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Calendar Jazz Picks
Fri 5-5 The Dominique Eade Quartet with Bill Pierce, Jed Wilson, and John Lockwood
The Real Deal Jazz Club & Café, Cambridge Multicultural Arts Center, 41 Second St., Cambridge. 617-876-7777. 9:30 p.m. $16. ($8 if combined with $12 ticket to 7 p.m. Cercie Miller Quartet performance the same night.)
Dominique Eade's shows last year in this same room, with three-quarters of this same group, were among the best local jazz performances of 2005. The absence of drums gave the music a quiet, chamber-like feel. Eade's singing was marvelous, whether singing actual words or applying her voice to instrumental lines. Pierce yet again proved himself a saxophonist as adventurous as he is tasteful. Wilson's piano work was skilled and subtle, and made plain why a guy so young has become Eade's duo partner of choice. The only thing missing was Ben Street's bass, owing to a delayed flight. Eade (above) gamely sang the bass part on one tune last year, but this time she's taking no chances: Boston-based bass standout John Lockwood will complete the quartet. A separate 7 p.m. set the same night will feature the Cercie Miller Quartet.
Thurs 5-4 Cyrus Chestnut A strong Reggatabar week begins with pianist Chestnut touting his swingingly accessible new CD, "Genuine Chestnut," tonight and tomorrow. Then Dave Douglas and his standout working quintet - Douglas, trumpet; Donny McCaslin, tenor sax; Uri Caine, Fender Rhodes electric piano; James Genus, bass; Clarence Penn, drums - arrive to plug their new CD, "Meaning and Mystery," Wednesday and next Thursday. Regattabar, Charles Hotel, One Bennett St., Cambridge. 617-395-7757. 7:30 p.m. $22. Repeats Fri, 7:30 & 10 p.m., $25. (Douglas sets Wed at 7:30 p.m. $22, Thurs at 7:30 & 10 p.m. $24.)
BILL BEUTTLER
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Jazz Profiles
Paying tribute to a city and a songwriter
Dr. John celebrates Johnny Mercer and the spirit of New Orleans
The melody maker
Pianist Robert Glasper
Ace of Bass
Early profile of Grammy-winning bassist-vocalist Esperanza Spalding
Hitting a High Note
Tenor saxophonist Joe Lovano
Forty years and still tuned in
Singer-songwriter-pianist Dave Frishberg
Saxophone Colossus
Unpublished Sonny Rollins profile
When Harry Met Stardom
It had to be him — Harry Connick Jr.
The Charlie Watts Interview
The Rolling Stones' drummer hits the road with a jazz big band.
Reviews (Jazz)
Branford Marsalis keeps things current
Branford Marsalis Quartet, Regattabar
Reviews (Books)
Parsing Paradise
On Paradise Drive, by David Brooks
Fussell's take on the dress code isn't 'Uniform'
Uniforms: Why We Are What We Wear, by Paul Fussell
Bright Lights, Big Egos
How to Lose Friends and Alienate People, by Toby Young
Books in Brief
Stan Getz: A Life in Jazz, by Donald L. Maggin
Current Events
Life or Death Decision
Scott Turow discusses capital punishment
Black, White, and Crimson
The fallout from Lawrence Summers' rebuke of Cornel West.
Mourning in America
World Trade Center victim Michael Rothberg.
We Work Too Hard
Why Americans Are Working So Hard.
Literature & Theatre
Augie's March
Saul Bellow's Great American Novel turns 50.
The Provocateur
American Repertory Theatre artistic director Robert Woodruff.
Chicago in Their Sights
Nelson Algren and A.J. Liebling on Chicago.
O, Albany
William Kennedy's Albany
Tough Guy, Mad Poet
Jim Harrison's northern Michigan
Appetite for the Absurd
Mordecai Richler's Montreal
Travel, Food, Sports, Etc.
It's a lot nearer than Napa
Drinking and driving in the Hudson Valley
Casanova Rules
The legendary lover's guide to womanizing.
Learning Lebanese
Sampling Lebanese cuisine in Beirut with former hostage Terry Anderson.
The Great Cigar Debate
If you think Cuba makes the best cigars, guess again.
Swain's Way
Racquetball champion Cliff Swain
Coach Newton's Law
Cross-country coach Joe Newton
Dance Your Breath Away
Chicago's Hubbard Street Dance Company
Media
ESPN — The Magazine
A rival to Sports Illustrated is launched.
Spreading the "Gospel"
Washington Monthly founder Charles Peters.
A Paler Shade of Yellow
William Randolph Hearst III tries on the family crown.
Legends of a Hairy Man
Outside magazine publisher Larry Burke.
Meeting Citizen Wenner
Did Rolling Stone's editor and publisher really kill the New Journalism?
Whatever Happened to the New Journalism?
Unpublished master's thesis featuring interviews with its leading practioners.
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